After the Kiss: The Notorious Gentlemen
Author: Suzanne Enoch
ISBN: 0060843098
Manufacturer: Avon
Customer Rating:




, based on 16 reviews
Lowest Price: $2.50
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A Notorious Gentleman . . .
Sullivan Waring wants only two things: his rightful inheritance, and revenge against the man who stole it from him. By day, Sullivan is the most respected horse breeder in England; by night, he plunders the ton's most opulent homes to reclaim his late mother's beautiful paintings. His quest is going swimmingly . . . until the night he's discovered by Lady Isabel Chalsey. Clad only in a revealing nightdress, she's an entrancingly different kind of plunder, and how can a thief resist stealing a kiss?
A Curious Lady . . .
Surprised by a masked man in her own home, Isabel should be quaking with fear. Instead the sight of the sinfully handsome Sullivan makes her tremble with excitement. Who is this man, and why is he so set on this reckless pursuit? Lady Isabel loves a challenge, and she'll dare anything to uncover Sullivan's secret—but she may instead convince him that she is the greatest prize of all.
Customer Reviews:








Why I gave it only 3 stars:
I prefer more dialogue and less explanation.
Spoiler ahead:
I also think the book has a major plot flaw. The main conflict in the book was iniated when the hero's father sells/gives away the hero's inheritance when his mother died, which didn't make any sense, because the father doesn't want to 'recognize' the hero as his son and wants to keep everything quiet. Since he didn't need the money from the paintings, it didn't make any sense why he sold/gave away those paintings to anger the son! If he had just given the hero those paintings, there wouldn't have been a conflict.




Sullivan Waring is on a mission to revenge himself against his father who sold all his mother's possessions when Sullivan was fighting the Peninsular war. Each time he steals one of his mother's paintings he knows that it irritates his father. But now there is someone else involved, someone who knows that he is the secret thief known as the Mayfair Marauder, and someone who is getting closer to him. But there's absolutely no future between the daughter of a Marquis and a horse breeder, especially when Sullivan's legitimate half-brother is after Isabel as well. Can they find happiness? Can Sullivan get away with his thefts without being caught? Can he ever find a place in society?
It took me a while to get into this book, despite an exciting first chapter during the Peninsular War. I didn't find myself warming to Isabel Chalsey and her dictatorial and bossy manner and was too perturbed by yet another random man's name in an American-authored Regency (although there was an explanation for why he was called Sullivan). There were lots of errors in dialogue, for example using the American word 'burglarize' rather than the English 'burgle' and other similar mistakes. However the underlying story was actually quite good, even if I wasn't convinced of the probable reality of the events that led to the happy ending. It was, however, a reasonable read with an enigmatic hero, a varied cast of supporting characters and some interesting vignettes into horse training.
Originally published for Curled Up With A Good Book © Helen Hancox 2008




It pairs two unlikely central characters, an unacknowledged bastard son of aristocracy, Sullivan, with an aristocratic and haughty young woman. Isabel catches Sullivan stealing from her home and he gives her a kiss to try to distract her. Though she is disconcerted over her first kiss, she steals his mask during the kiss and can therefore identify him. Sullivan, unbeknown to her, is trying to retrieve paintings that are his inheritance, paintings by his mother that were illegally taken by his unacknowledged father after her death.
Isabel sees Sullivan again the next day, while with her brother on a trip to purchase a horse. Sullivan is a recognized horse breeder. She insists on buying a second horse for herself and having the horse breeder train the horse for her to ride. She hopes to blackmail him into explaining why a man with obvious livelihood would steal from the same aristocrats who are his purchasers.
As they get to know and admire each other, they are caught in an impossible situation - they cannot legitimately express fondness for one another because he is a nobody. As the story weaves and unfolds, she is shunned by society and has to come to grips with the cattiness of gossip. He must come to grips with not being able to love her freely.
Each character has obvious flaws, but sensitivity to each others issues. As they come to know each other, their initial attraction becomes more than that, and they each have to deal with their inherent biases. His bias is against aristocracy, hers is that of a spoiled rich girl who can usually get whatever she wants.
Even today, many families object to sons or daughters pursuing a relationship with a person of the wrong color, religion or social set. For this reason, the story rang true to me. Both main characters have to overcome natural biases to realize that the other person is right for him/her.
On a petty note, I wish editors would correct little grammatical errors. Enoch often says "like" instead of "as," "different than" rather than the correct "different from." She also writes either with a plural verb. It should take a singular. Sometimes, I have to throw a book away mid-read because the grammar so detracts from the writing. Fortunately, that was not the case with this. There are some distractions, but they are minor.




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